Why I love Venice
Why I love Venice. I hope this is expressed through my photography and blog posts. To me, this unique historic city is the most beautiful and interesting place in the world. A jewel in the crown of Italy. One of unsurpassable beauty tinged with picturesque decay – giving a romantic ambience so loved by travellers, writers, poets and artists, over the centuries.
Despite all its problems Venice is still is a living and vibrant city, coming to terms with and adapting to the 21st century.
Introduction
Brief History
Balance and relationships.
Links (internal-external)
“Cities of the heart should be seen through the eyes of others” – Valgimigli
Why I love Venice – Introduction
Nestling in its lagoon, Venice an essentially aquatic city with its network of canals; can appear almost beyond reality. Occasionally, when cold air from the Alps meets the warmer air of the lagoon, sea mists roll in and covers the islands, so that only the tallest buildings, bell-towers and spires may be visible; a magical effect. Such a different atmosphere invoked.
Venice is tantalising blend of East and West reflected in its history and culture. It was Italy’s most powerful and influential city state and centre of the Eastern Holy Roman Empire, Byzantium.
The Republic of Venice led by a series of elected Doges, thrived for 700 years because the city elders worked for the common good to create a thriving hub of business, exchange and interests. Above all else they understood the importance of maintaining the balance between man and nature; essential for the city’s survival.
Above: digital capture – 2017 Below: transparency film-stock, digitally scanned – 1977.
Brief History of Venice
Its history is one of resourcefulness in the face of adversity – trade and exploration supported by naval prowess and strategic warfare; architectural and artistic brilliance. The development of the fleet drove its rise to supremacy. This legendary city grew rapidly, overtaking Rome and freedom from the dictates of the Vatican; to emerge as the leading economic power in the Mediterranean Basin. It was also the “Gateway to the Orient”; a home to peoples from around the world – Byzantines, Italians, Jews, Arabs, Slavs, Armenians and Turks. Perhaps the original “multicultural city”. This made possible the technical, scientific and cultural progress; so evident in Venetian architecture, painting, literature and music.
For several millennia, low-lying islands in the lagoon (many only about 1m above sea-level), were sparsely populated by fishermen, hunters and salt collectors. Between the 4-5th centuries, some particularly in the northern lagoon; were settled by mainland immigrants fleeing from successive waves of foreign marauders like the Visigoths and Attila the Hun, following the fall of the Roman Empire. The network of islands and channels, that would form the city of Venice; began to develop firstly in the Rialto area.
It reached its peak of power and influence in the 15-16th C Renaissance period. Conquered by Napoleon in the late 18th C and twice handed to the Austrians, the city finally became part of the new United Italian State. Following Napoleon’s fall, decline and decadence characterised the 18-19th C “Romantic” period and the influx of travellers, writers, poets, artists and moral decline.
At its peak, Venice may have had a population of over 200,000 inhabitants. Now, the population has reduced to around 55,000 and is dependent on tourism, having over 20 million visitors annually; with many of the staff servicing this industry, commuting daily from the mainland. In tourist hot-spots such Piazza San Marco or the Rialto Bridge, one can be overcome by the sheer weight of humanity and its modern cultural icon the “selfie”. Yet within a few minutes, peace and solitude can be found in the city’s maze of back streets and canals.
A declining population and workforce, subsidence, pollution, global warming and ironically too many visitors that strain its infrastructure; are all problems that needs to be addressed. A new balance between living and working must be found. Venice financially dependent on tourism needs to reassert itself; to avoid becoming some sort of historic theme park. Its future probably lies as a Centre of Excellence for culture, academia and business.
It is ironic that in its history for over a millennium, the lagoon has ensured its security and survival, yet due to our changing climate; increasingly frequent high tides and flooding, now threatens this historic city.
Let us hope that the new tidal barriers, now completed and occasionally activated; will secure the city’s future.
Why I love Venice – Balance and relationships
Below is a list (some of them I call “Mantras”), that I keep in the front of my mind; when photographing in this wonderful city. They help enormously in expanding old ideas or themes, creating new imagery and developing a more personal vision. It is about enhanced “awareness” ; the difference between “looking” and “seeing”. Making visible. Noticing things that other would pass by. Over time, you also become more aware of what is “permanent” and what is “transient”. The potential for photography is infinite!
man v nature – (essential for the city’s survival)
resourcefulness – adversity
a structural aquatic city modulated by: light, weather, water, decay, subsidence, pollution, global warming, excessive tourism.
tantalising blend of East and West
permanence – transience;
state – religion – people
rationality and formality v emotion
science – art
living – working
romance – reality
public – private ( for example secret gardens)
superficial – hidden or secret
living (breathing, challenging, inspirational, vibrant, changing, adaptive, re-inventive, future) v dying (decline, decadence, museum, theme park, expensive, aging population)
changing place – changing time – changing thoughts – changing future
LINKS (internal–external)
Please take a look at my other posts on Venetian photography
“Depicting Venice – Ian Coulling”
“Depicting Venice 2 – Ian Coulling”
“Depicting Venice 3 – Ian Coulling”
VIDEO: Venice Italy in 8K Ultra HD (youtube.com)
A composite image taken from one of my three posts on exciting new ways of depicting Venice, linked above
Why I love Venice Why I love Venice Why I love Venice Why I love Venice